ÇáÌãÇá ãÞÕæÏ Ýí ÃÕá ÇáÎáÞ ... Beauty Destination in the origin of creation
  • ÇáÌãÇá ãÞÕæÏ Ýí ÃÕá ÇáÎáÞ ... Beauty Destination in the origin of creation
    ÇáÌãÇá ÓãÉ æÇÖÍÉ Ýí ÇáÕäÚÉ ÇáÅáåíÉ , ÝÍíËãÇ ÅÊÌåÊ ÈÈÕÑß ÝËãÉ åäÇß ãÇ íÌÐÈß ÝíäÚÔß , Ãæ íäÈåß ÝíÏåÔß , ÝÇáÌãÇá ãæÌæÏ æáßä ÃáÝÉ ÇáäÇÓ áåÐÇ ÇáÌãÇá ÌÚáåÇ ÚÇÏíÉ æÃä ÇáÌãÇá ÃÕá Ýí Çáßæä æíÓíÑ ãÚäÇ Ýí ÇáÊíÇÑ Ýåæ ÛíÑ ãÑÆí ÅáÇ áãä íäÊÈå áå , ÝÇáÌãÇá ÝíäÇ æãä ÍæáäÇ íÙåÑ Ðáß ÈÇÓÊíÞÇÙ ÇáäÝæÓ áÊÑì åÐÇ ÇáÌãÇá , æÇáÞÑÂä íÏÚæäÇ áÐáß ÈÅÔÇÑÇÊå ÇáÅÈÏÇÚíÉ Ýí ÂíÇÊå ÇáÞÑÂäíÉ , æÕæÑå ÇáÌãÇáíÉ Ýí ÓæÑå ÇáÞÑÂäíÉ . ÊÃãá Çááíá ÇáåÇÏí æÕÝÇÁ ÇáÓãÇÁ æÊáÃáÄ ÇáäÌæã , ÊÃãá ÇáÞãÑ æÖíÇÁå ÇáÝÖí íäÓÇÈ Ýí ßá ÇáÌäÈÇÊ , ÊÃãá ÇáÔãÓ æÅÔÑÇÞÇÊåÇ æåí ÊáÇãÓ ÎíæØåÇ ÇáÐåÈíÉ Êáß ÇááÂáÆ ÇáÈÑÇÞÉ ãä ÇáäÏì , ÊÃãá ÇáæÑæÏ æåí ÊÊÝÊÍ Úä ÃáæÇäåÇ æÃÑíÌåÇ , æÚä Êáß ÇáÝÑÇÔÇÊ ÇáÓÇÈÍÉ , æÚä ÎÑíÑ ÇáãíÇå ÇáãÊÏÝÞ ÇáÑÞÑÇÞ æÇäÓíÇÈ ÇáÃäåÇÑ . ßíÝ ÊÊåÇÏì æÓØ ÇáäÌæã ¿ ÊÃãá ÎíæØ ÇáÍÑíÑ , æÕáÇÈÉ ÇáÕÎæÑ æÇáÅäÓÇä ÇáãÊÃãá , ÊÑì ÇáÅÚÌÇÒ Ýí ÇáßÇãä æÇáßÇÆä , æÇáÞÑÂä ÇáßÑíã íÓÌá åÐå ÇááÍÙÇÊ ÇáÌãÇáíÉ áÈÏíÚ ÕäÚ ÇáÎÇáÞ Ýí Þæáå ÊÚÇáì : (ÇáÐí ÃÍÓä ßá ÔÆ ÎáÞå) (ÇáÓÌÏÉ7). æÇáÅÍÓÇä ÈáæÛ ÇáÛÇíÉ Ýí ÃÏÇÁ ÇáãåãÉ ÇáÊí ÃÚÏ áåÇ áåÐÇ ÇáÔÆ æåæ Ýí ÇáæÞÊ äÝÓå ÊÃßíÏ ááÌÇäÈ ÇáÊÍÓíäí æÇáÌãÇáí , ãÇ íÄßÏ Ãä ÇáÌãÇá ãÞÕæÏ Ýí (ÃÍÓä ßá ÔÆ ) æáæ áã íßä ÇáÃãÑ ßÐáß áßÇä Ýí Þæáå : ( ÕäÚ Çááå ÇáÐí ÃÊÞä ßá ÔÆ) (Çáäãá 88) æ ãÇ íÝí ÈÇáãÞÕæÏ , ÅáÇ Ãä ÇáÅÊÞÇä ÃíÖÇ íÚäí ÇáÊÍÓíä æÇáÊÌãíá æãÚ Ðáß ÞÇá : (ßá ÔÆ) ÊÃßíÏ Úáì Úãæã åÐÇ ÇáÃãÑ æáÊÃßíÏ åÐÇ ÇáãÚäì ãÖÇÝ Åáíå ÇáÊÍÏí æÇáÅÚÌÇÒ íÄßÏ ÇáÞÑÂä ÈÞæáå : (åÐÇ ÎáÞ Çááå ÝÃÑæäí ãÇÐÇ ÎáÞ ÇáÐíä ãä Ïæäå). Åä ÚäÕÑ ÇáÌãÇá áãÞÕæÏ ÞÕÏÇ Ýí åÐÇ ÇáæÌæÏ , ÝÅÊÞÇä ÇáÕäÚÉ íÌÚá ßãÇá ÇáæÙíÝÉ Ýí ßá ÔÆ , íÕá Åáì ÍÏ ÇáÌãÇá , (ÝÇáßæä íÏæÑ Úáì ÓÇÚÉ ãäÖÈØÉ Úáì ÃÌÒÇÁ ãä ÇáËÇäíÉ Ýßá ÇáßÇÆäÇÊ ãä ÇáÐÑÉ Åáì ÇáãÌÑÉ áåÇ ÏæÑÇÊåÇ æÍÑßÇÊåÇ ÇáãÍÓæÈÉ , æßá ÇáÃäÝÓ áåÇ ÃäÝÇÓåÇ ÇáãÚÏæÏÉ áÃãÇßä ãÍÏæÏÉ , ÝÇáßæä ßáå ãäÖÈØ Úáì äÈÖÇÊ ãÍÓæÈÉ æãÚÏæÏÉ ÏÇÎá ÇáÏÇÆÑÉ ÇáßÑÈæäíÉ Úáì ãÓÇÝÇÊ ÇáæãÖÇÊ ÇáßæäíÉ ãä ÎáÇá ÓÑÚÇÊåÇ ÇáÖæÆíÉ , æåí Ýí ÊÓÈíÍåÇ ÊÓÈÍ æÊÓÈÍ áãÈÏÚåÇ æÎÇáÞåÇ ãä ÎáÇá ÅíÞÇÚÇÊåÇ ÇáÎÇÕÉ ãÓÊãÏÉ ÃäÔæÏÊåÇ ãä ÇáÃäÔæÏÉ ÇáßæäíÉ ÇáÎÇáÏÉ æãä ÎáÇá ÇáÅíÞÇÚÇÊ ÇáÌãÇáíÉ ÇáÕÇÏÑÉ ãäåÇ) . ÃäÙÑ Åáì ÐÑÉ ãä ÇáËáÌ ÊÍÊ áãÌåÑ , ÊÑ ÈäÇÁÇ åäÏÓíÇ åæ ÇáÌãÇá ÈÚíäå , æÃÔíÇÁ ãÌåÑíÉ ÃÎÑì ÊÑì ÌãÇáÇ åäÏÓíÇ æáæÍÇÊ ÊÌÑíÏíÉ ãÊäÇÓÞÉ , æÞÏ ßÇäÊ ÇáÚíä ÚÇÌÒÉ Úä ÇáßÔÝ ÚäåÇ ÅáÇ ÈÇáãÌÇåÑ ÇáÃáßÊÑæäíÉ , æåÐÇ ÇáÌãÇá ßÇä ãæÌæÏÇ æåæ ÃÕá Ýí ÈäÇÁ ÇáÎáÞ æáåÐÇ ÃÞÓã ÑÈ ÇáÚÒÉ ÈãÇ äÈÕÑå æãÇ áÇ äÈÕÑ Ýí Þæáå ÊÚÇáì : (ÝáÇ ÃÞÓã ÈãÇ ÊÈÕÑæä , æãÇ áÇ ÊÈÕÑæä) (ÇáÍÇÞÉ 38-39) , ÝãÇ äÈÕÑ æãÇ áÇ äÈÕÑ ãä ÎáÞ Çááå æåÐÇ ÇáÞÓã ÊÃßíÏ áÞæáå ÊÚÇáì : ( ßá ÔÆ) . ÇáÌãÇá Ýí Çáßæä : íÊÍÏË ÇáÞÑÂä Úä ÇáÓãÇÁ áÇ íäÝí ÇáÎáá ÝÍÓÈ ÅäãÇ íÊÍÏì ÇáäÇÙÑíä , Èá æÊßÑÇÑ ÇáäÙÑ ÒíÇÏÉ Ýí ÇáÊÍÏí æÊÃßíÏ ááÑÄì ÇáÝäíÉ ÇáäÞÏíÉ , íÞæá ÊÚÇáì : (ÇáÐí ÎáÞ ÓÈÚ ÓãÇæÇÊ ØÈÇÞÇ ãÇ ÊÑì Ýí ÎáÞ ÇáÑÍãä ãä ÊÝÇæÊ ÝÇÑÌÚ ÇáÈÕÑ åá ÊÑì ãä ÝØæÑ , Ëã ÃÑÌÚ ÇáÈÕÑ ßÑÊíä íäÞáÈ Åáíß ÇáÈÕÑ ÎÇÓÆÇ æåæ ÍÓíÑ) (Çáãáß 3-4) . æíÓÌá ÇáÞÑÂä ÚãáíÉ ÇáÊÒíä Ýí Þæáå ÊÚÇáì : ( æáÞÏ ÒíäÇ ÇáÓãÇÁ ÇáÏäíÇ ÈãÕÇÈíÍ æÌÚáäÇåÇ ÑÌæãÇ ááÔíÇØíä) (Çáãáß/5), ÝÇáÒíäÉ ãÞÕæÏÉ ÈÇáãÕÇÈíÍ , æÞÏ ÊßÑÑ åÐÇ ÇáÊÒíä Ýí Þæáå ( ÃÝáã íäÙÑæÇ Åáì ÇáÓãÇÁ ÝæÞåã ßíÝ ÈäíäÇåÇ æÒíäÇåÇ æãÇ áåÇ ãä ÝÑæÌ) (Þ/ 6) , æÝí Þæáå : (æáÞÏ ÌÚáäÇ Ýí ÇáÓãÇÁ ÈÑæÌÇ æÒíäÇåÇ ááäÇÙÑíä) (ÇáÍÌÑ/16) , æÝí Þæáå ÊÃßíÏÇ ááÞÕÏ ÇáÌãÇáí Ýí ÇáÎáÞ : ÝÞÙÇåä ÓÈÚ ÓãæÇÊ Ýí íæãíä æÃæÍì Ýí ßá ÓãÇÁ ÃãÑåÇ æÒíäÇ ÇáÓãÇÁ ÇáÏäíÇ ÈãÕÇÈíÍ æÍÝÙÇ Ðáß ÊÞÏíÑ ÇáÚÒíÒ ÇáÚáíã) (ÝÕáÊ/ 12) , æÝí Þæáå ÊÚÇáì : (ÃäÒá áßã ãä ÇáÓãÇÁ ãÇÁ ÝÃäÈÊäÇ Èå ÍÏÇÆÞ ÐÇÊ ÈåÌÉ ãÇßÇä áßã Ãä ÊäÈÊæÇ ÔÌÑåÇ ..) . ÝÇáÈåÌÉ ãÞÕæÏÉ , ÅÐ åí ÇáæÕÝ ÇáãÎÕÕ åäÇ , ÝÇáÅäÈÇÊ áã íßä ááÍÏÇÆÞ æÍÓÈ æÅäãÇ ááÍÏÇÆÞ ÐÇ ÈåÌÉ . ÇáÌãÇá Ýí ÇáÅäÓÇä : ÇáãÑÍáÉ ÇáÃæáì ãä ÇáÌãÇá åí ÇáÊÓæíÉ æÇáÊÚÏíá , ÝÚÏã ÇáÎáá æÚÏã ÇáäÞÕ åæ ÇáÍÏ ÇáÃÏäì ãä ÇáÌãÇá æíáÝÊ ÇáäÙÑ Åáì åÐÇ ÈáÛÉ åÇÏÆÉ ÊæÞÙ ÇáÍÓ æÊÍÝÒ ÇáãÔÇÚÑ Ýí Þæáå ÊÚÇáì : (íÇ ÃíåÇ ÇáÅäÓÇä ãÇ ÛÑß ÈÑÈß ÇáßÑíã , ÇáÐí ÎáÞß ÝÓæÇß ÝÚÏáß) (Çáäãá6-7) . Ãí ÌÚáß ãÓÊÞíãÇ ãÚÊÏá ÇáÞÇãÉ ãäÊÕÈÇ Úáì ÃÍÓä ÇáåíÆÇÊ æÇáÃÔßÇá . æÝí Þæáå ÃíÖÇ : ( ÝÅÐÇ ÓæíÊå æäÝÎÊ Ýíå ãä ÑæÍí ÝÞÚæÇ áå ÓÇÌÏíä) (ÇáÍÌÑ29) , æÞæá (ÇáÐí ÎáÞ ÝÓæì) (ÇáÃÚáì/ 2) Ãí ÎáÞ ÇáãÎáæÞÇÊ ÌãíÚÇ ÝÃÊÞä ÎáÞåÇ æÃÈÏÚ ÕäÚåÇ Ýí ÃÌãá ÇáÃÔßÇá æÃÍÓä ÇáåíÆÇÊ . æíäÊÞá ÇáÞÑÂä Åáì ãÑÍáÉ ÃÑÞì Ýí ÎáÞ ÇáÅäÓÇä Ãí (ÇáÍÓä) Ýí Þæáå ÊÚÇáì : ( ÎáÞ ÇáÓÇæÇÊ æÇáÃÑÖ ÈÇáÍÞ æÕæÑßã æÅáíå ÇáãÕíÑ) (ÇáÊÛÇÈä/3) æÝí Þæáå : ( áÞÏ ÎáÞäÇ ÇáÅäÓÇä Ýí ÃÍÓä ÊÞæíã) (ÇáÊíä/ 4) . æäáÇÍÙ Ãä ÇáÝÚá (ÕæÑ) áã íÓÊÚãá Ýí ÇáÞÑÂä ÅáÇ Ýí ÕÏÏ ÇáÍÏíË Úä ÇáÅäÓÇä , æÈÃÓáæÈ ÇáÎØÇÈ áå , æÊÎÕíÕ ÇáÅäÓÇä ÈÃÓáæÈ ãä ÇáÎáÞ æåæ (ÇáÊÕæíÑ). æÞÏ ÃÓÊÎÏã ÇáÞÑÂä æÓÇÆá ÌãÇáíÉ Ýí ÊÚÇãáå ãÚ ÇáÅäÓÇä , æÇáÒíäÉ ÇáãØáæÈÉ Ýí åÐÇ ÇáÅäÓÇä , ÝÞÏ ÚÏÏ ÇáÞÑÂä ÇáÑíÇÔ æÇáíÇÞæÊ æÇáãÑÌÇä æÇááÄáÄ Ýí æÕÝ ÇáÅäÓÇä Ãæ ÍæÑ ÇáÚíä Ýí Þæáå ÊÚÇáì : ( íÇ Èäí ÂÏã ÞÏ ÃäÒáäÇ Úáíßã áÈÇÓÇ íæÇÑí ÓæÁÇÊßã æÑíÔÇ ) (ÇáÃÚÑÇÝ/ 26) . (Ýíåä ÞÇÕÑÇÊ ÇáØÑÝ áã íØãËåä ÃäÓ ÞÈáåã æáÇ ÌÇä, ÝÈÃí ÂáÇÁ ÑÈßãÇ ÊßÐÈÇä , ßÃäåä ÇáíÇÞæÊ æÇáãÑÌÇä) (ÇáÑÍãä 56-58) . (æÍæÑ Úíä , ßÃãËÇá ÇááÄáÄ Çáãßäæä) (ÇáæÇÞÚÉ 22-23). (æíØæÝ Úáíåã æáÏÇä ãÎáÏæä ÅÐÇ ÑÃíÊåã ÍÓÈÊåã áÄáÄÇ ãäËæÑÇ) (ÇáÅäÓÇä 19) . ÝÇáÌÓä æÇáÌãÇá ãÞÕæÏ Ýí Çáßæä æÇáÅäÓÇä æÇáÃÔíÇÁ , æÇáÌãÇá ãÞÕæÏ Ýí ÃÕá ÇáÈäÇÁ Çáßæäí íäÍæ äÍæ ÇáßãÇá æÇáÊÚÈíÑ Úä ÇáßãÇá íßæä Úä ØÑíÞ ÇáÌãÇá ÝáÇ ÕÏÝÉ Ýí åÐÇ ÇáæÌæÏ Ýßá ÔÆ ÎáÞ ÈÞÏÑ . ÇáÊÑÌãÉ : Beauty Destination in the origin of creation D. Moustafa Abdou Beauty feature clear in the workmanship of God, where there tended Basra there has attracted the coffin, or Ionnbhk surprising, total assets, but people familiar beauty of this and make it extraordinary beauty out in the universe and moving us into the mainstream is not visible only to those who pay attention to him, Jamal us is against us This is waking up hearts to see this beauty, and the Koran to us that the reference in the creative Quranic verses, and aesthetic image in Surat Al-Quran. Hopes Safaa Hadi, the night sky and pearls stars, the moon and hopes Zia silver flowing in both Woodland , Hopes the sun and the brighter touches on a golden threads that bright pearls of dew, which hopes roses bloom on the colors and Reagan, and those butterflies Alsabha, and Chrir Alrkrac flowing water, the flow of rivers. How Strutting and Skz stars? Hopes silk threads, and solid rocks, and hopefully Rights, sees miracle in the underlying organism, the Koran record these moments of aesthetic decision-Badi-Khaliq as saying in the Almighty: (who created the best of everything) (Sajda 7). Charity goal in the performance of the task that prepared them for this thing at the same time the side's improvement and aesthetic, confirms that beauty is intended to (the best of everything) if it was not the case for it in said: "(God who has perfected the manufacturing of everything) (Ants 88) and what the meaning Levy, but also mean perfection and beauty care improvement, however, he said: (everything) to confirm publicly the matter and to confirm this on the added challenge and stresses Quran miracle, saying: "(God created this why Bruno, who created from Him). The beauty of the intentional element of intent in this presence, mastery workmanship makes Kamal post in everything, to the extent of beauty, (Falcon around an hour disciplined over parts of the second All-organisms of maize to the galaxy and its movements are calculated, and all have won her breath for the few places Limited, the entire Falcon disciplined calculated on the pulse and a few inside the circle on carbon Flashes cosmic distances through the speed of light, which is in worshiping the swim and swim for creators and Creator through special while performing a song derived from Cantata cosmic timeless aesthetic and through the rhythms of them). Look at the atom of ice under the microscope, saw acting engineered beauty is a given, something other microscopic view beautiful abstract paintings and engineering machinery, has been the eye is unable to detect only electronic microscopes, and this beauty was present in the building is out of character and this I swear to the Lord of Glory, including Basra and not in Basra as saying the Almighty: (I swear, including Basra, and does not see?) (Reassign 38-39), Basra and what is God's creation of visual and confirmation of this section as saying Almighty: (everything). Beauty in the universe: Koran speaks about the sky not only denies the defect but defies analog, but the recurrence of an increase in the challenge and the artistic visions of cash, the Almighty says: (who created the seven heavens dishes are believed to create Rahman of the disparity back Do you see the sight of breakfast, and then go back sight Lortie Here is turning a sight Khasoua Hasir) (King 3-4). The record Ornaments in the Koran as saying the Almighty: (The Zaina heaven lamps, and made it purple for the demons) (King / 5), the Zen unintended headlamps, has repeated this to say in Ornaments (file look to the sky above them, how we have built and Zinni and their Farruj) (s / 6), and said: "(We have made in heaven, and Roger Zinni to the onlooker) (stone / 16), and confirmation of the order as saying in the aesthetic character: HH vigilant in seven days and have insinuated themselves in every sky and heaven adorned lamps, and memory assessment Aleem Aziz) (Separated / 12), and the Almighty said: (sent down from heaven, you produce the water gardens of joy McCann you that the tree grows ..). Joys unintentional, since the description is allotted here, did not germinate, according to Parks and Gardens, but for a joy. Beauty in humans: The first phase of the beauty is a settlement and amendment, failure imbalance and lack shortage is minimal beauty and draw attention to this language to awaken the sense of calm and stimulate feelings of meaning: (O man what is thy Lord Grk Karim, who the worst of Justice) (Ants 6-7) . Any straight to your average height erected on the bodies and the best way. In saying also: (If the settlement and blow it from my soul caught him prostrate) (29 stone) and telling (who created Yousef) (upper / 2) to create any technical created all creatures and the author of the most beautiful forms of manufacture, and better bodies. The move to the stage of the Koran superior to the creation of any rights (Hassan) in meaning: (Sao creation and land and the right image and the determination) (Taghabun / 3) and said: "(We created man in the best correct) (figs / 4). We note that the act (pictures) had not been used in the Koran but in the process of talking about rights, and a letter to him, and the allocation of rights of way which creatures (photography). Has used the Quran and aesthetic means in dealing with rights, and ornamental required in this Rights, the number Koran Riyashi, rubies, pearls and corals in the description of rights or the spirit of the eye in meaning: (My son Adam had sent down to you clothes buried worse and Richa) (custom / 26). (Women underage party has not admitted nor menstruation Lance committees, in what Alaa Erbakan deceit, as if they were rubies and coral) (Rahman 56-58). (The Populus eye, Like unto pearls hidden) (sub 22-23). (The wait on them immortal youths, you would think if I saw them scattered pearls) (19 rights). Jessen and beauty in the universe and intentional rights and things, beauty and meaning of the cosmic construction tends towards perfection and a perfect expression of beauty through no coincidence in all this presence to create something more

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